vomitgod’s weblog

scribblings, moral judgments & rants in the age of willfully dense automatons

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12/29/2008 (11:38 am)

CMSOM – 1208

Filed under: CMSOM ::

Sound:

Alice In Chains – Alice In Chains
Jerry Cantrell – Degradation Trip, Vol. 1 & 2
Amnesty – Free Your Mind: The 700 West Sessions
Frank Zappa – One Size Fits All
Meshuggah – Nothing
Jellyfish – Spilt Milk
Adrian Belew – Side One
Herbie Hancock – Dedication
John Barry – Diamonds Are Forever
Fleet Foxes – Fleet Foxes

Vision:

Glory Daze
The Strangers
“House of Saddam”
Futurama: Bender’s Game
Ronin
The X Files: I Want To Believe
The Incredible Hulk
Singles
Clerks II
Into The Wild

Prose:

Vincent Bugliosi – Helter Skelter: The True Story of the Manson Murders
Denis Leary – Why We Suck: A Feel Good Guide to Staying Fat, Loud, Lazy and Stupid

Game On:

Saints Row 2

12/24/2008 (11:33 am)

On Meshuggah’s Nothing

Filed under: Sound ::

Contained herein are six audio samples that contain (roughly) the first minute of three tracks from the two different versions of Meshuggah’s Nothing album. While originally released in 2002, Nothing was re-released in 2006 with re-recorded guitars, triggered drums, and other notable fidelity changes/enhancements. It’s my understanding that Meshuggah was rushed to complete Nothing in conjuncton with touring back in 2002, and the band felt that the engineering and mixing suffered.

From the official Meshuggah forums, here’s what Fredrik Thordendal (Meshuggah guitarist) had to say regarding the 2006 version (oft referred to as “Re-Nothing” or “Nothing Re-Mix):

The only thing I’ve done is I re-recorded all the rhythm guitars cause they pretty much sucked IMO, re-recorded the guitarline-thing at the end of CEV, put a new crash cymbal on top of one of the old ones that was broken and sounded like shit, triggered the kick, snare and toms and mixed the whole thing from scratch and I also timestretched Nebulous before I recorded the guitars cause I thought it was way too fast on the old Nothing…

The samples below are from two different sources – Nuclear Blast CD 542-2 (2002) and Nuclear Blast CD 1729-2 (2006). Aside from fade in/out, absolutely no signal processing has been performed. 24-bit graphical waveform views courtesy Adobe Audition and Microsoft Paint (click on image to open high-resolution version in a new window).

Which version do you think sounds best? For my thoughts, see my comments below the samples.


Perpetual Black Second
Source: Nuclear Blast CD (NB 542-2 LC 07027) 2002
Resolution = 44kHz, 16-bit Stereo PCM Wave file

Perpetual Black Second


Perpetual Black Second
Source: Nuclear Blast CD (NB 1729-2 LC 07027) 2006
Resolution = 44kHz, 16-bit Stereo PCM Wave file

Perpetual Black Second 2006


Glints Collide
Source: Nuclear Blast CD (NB 542-2 LC 07027) 2002
Resolution = 44kHz, 16-bit Stereo PCM Wave file

Glints Collide


Glints Collide
Source: Nuclear Blast CD (NB 1729-2 LC 07027) 2006
Resolution = 44kHz, 16-bit Stereo PCM Wave file

Glints Collide 2006


Straws Pulled At Random
Source: Nuclear Blast CD (NB 542-2 LC 07027) 2002
Resolution = 44kHz, 16-bit Stereo PCM Wave file

Straws Pulled At Random


Straws Pulled At Random
Source: Nuclear Blast CD (NB 1729-2 LC 07027) 2006
Resolution = 44kHz, 16-bit Stereo PCM Wave file

Straws Pulled At Random 2006


Thoughts:

The original version of Nothing is extremely fatiguing and overtly bright. The high end (particularly the cymbals) makes for a harsh listen, indeed! It’s also less dynamic overall than the 2006 version, and is pretty much obliterated by compression (arguably par for the course).

The 2006 remix is much more tame, subdued, and low-end colored. Immediately noticeable is the thickness and definition of the re-recorded guitars, the drastic change in overall volume of the drums (again, especially the cymbals), and the use of some kind of chorus or flanger on Jens Kidman’s vocal track.

I really like the original Nothing’s drum sound, and am not a fan of triggered drums*. I also prefer Kidman’s direct, blunt vocal tracks on the original release over the DSP’ed version prevalent in the remix. That said, the guitars on the remix are outstanding, and they easily better those of the original release in terms of both width and definition. Finally, I tend to appreciate the overall sound/mix of the remix over the original, especially when listening to Nothing in it’s entirety.

My preference? Actually, if at all possible, I would prefer the culminaton of the two! I can say that if I’m listening to Nothing via my iPod on the train (i.e. not the entire album front-to-back), I prefer the original version. For stereo listening at home or via studio monitors, I prefer the remix.


Notes:

*Programmed drums, such as those used on Catch 33, are a different story.

Thordendal quote – http://www.tandjent.com/meshforum/showthread.php?t=14654

Purchase Nothing (2002):

Nothing

Purchase Nothing (2006):

Nothing 2006

12/16/2008 (9:52 pm)

Glutton – Dichotomy

Filed under: Sound ::

At last, and to satiate numerous requests over the years, I’m pleased to present the somewhat lost Glutton record Dichotomy in it’s entirety for free download in compressed MP3 and lossless FLAC formats. The lyrics are included in the zip files, and the files are embedded with ID3 tags and artwork for easy import into your preferred digital audio library.

Download MP3 Format (~190 kbps VBR) | FLAC Format

The track list, liner notes, various stats, and a brief history of Glutton and the Dichotomy record penned by composer/guitarist Michael Figueiredo are below. Enjoy the assault on your hearing, and possibly other senses!

- VGD


dichotomy

Tracklist:

01 Dead Girl 1:05
02 Piss in a Fancy Bottle 0:41
03 But I’m Dead 1:42
04 Deflated Lung 0:48
05 Who’s That? 1:18
06 Tributary 0:55
07 Sanctum 2:19
08 Excommunicatus 1:52
09 Requiem for a Broken Toy 2:10
10 Ripsnorter 1:05
11 Love and a Piano Wire 3:48
12 Carnal 4:13
13 Lude 2:51

Jimmy Kuehn – drums
Michael Figueiredo – guitar, bass
Aleta Cole – violin
VomitGod – throat
Michael Geher – bass (tracks 9, 11, 13)
Steve Marchena – harmonica (tracks 5, 7, 11, 13)

Recorded April – June 2002
Engineered by Scott Toomey at Soundtrack, Boston, MA
Additional Pro Tools Engineering by Scott Hess
Additional Engineering by VomitGod
Mixed by Scott, Fig & Jimmy at Soundtrack – June 8, 10, 11, 2003
Mastered by Colin Decker at M-Works, Cambridge, MA – June 17, 2003

Music by GLUTTON | Lyrics by VomitGod | (c) 2003 Nona Recordings

Cover Concept by Scarahead
VomitGod Appears Courtesy All 4 Not / Strap-on Recordings


A Brief History of GLUTTON and Dichotomy :

Glutton was a project that started when a guitarist (Fig) and drummer (Jimmy) performed a live film score to The Cabinet of Dr. Caligari and thought each other’s shit smelt good. Then Fig met Aleta – a violinist who liked the hardcore. We wrote 100 songs in 2 days, played a few shows, and vagabond members came and went – most notably, VomitGod – the true missing link (in more ways than one). He was a natural fit for the spirit of Glutton and we did snag him up for a spell but alas, Minneapolis summoned him. The band forged forward. When it came time to record in 2002, the band was a 3 piece that just started working with a bass player (Geher). We always had VomitGod in mind to do vocals. We sent him the Pro Tools beds and he began dutifully chipping away at the stone. The end result is what you hear as “Dichotomy”. The band played their final show in July 2003 as a 5-piece with VomitGod on vocals.

- Fig 09/2008

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